Edinburgh Bookshelf

Old and New Edinburgh Vol. II


350 OLD AND NEW EDINBURGH. [North Bridge. . of the greatest hits in the annals of the Theatre Royal; and it was announced in the following day?s advertisements that the success had been so triumphant that it would be repeated ?every evening till further notice;? yet it ran only fortyone nights consecutively, which seems trifling when compared with the run of many pieces in London. But the national element delighted the people ; Mr. Homerton?s dignified Rob Roy, Mrs. Renaud?s tragic dignity as Helen Macgregor (always an unattractive part), Duff?s Dougal Cratur, Murray?s Captain Thornton, and more than all, the Bailie Jarvie of old Mackay (who now rests in the Calton burying-ground) were loudly extolled. Sir Walter Scott was in the boxes with his whole family, and his loud laugh was heard from time to time, and he ever after declared that the Bailie was a complete realisation of his own conception of the character. All the Waverley dramas, as they were named, followed in quick succession; the Scottish feeling of the plays, and the music that went with them, completed their success ; the treasury was filled well-nigh to overflowing, and Mrs. Henry Siddons had no more difficulties with her patent or lease. When George IV. visited Edinburgh in August, $822, he ordered Rob Roy to be played at this house on the 27th, and scenes such as it had never presented before were exhibited both within and witbout the edifice. At an early hour in the morning vast crowds assembled at every door, and the rain which fell in torrents till six in the evening had no effect in diminishing their numbers, and when the doors were slowly opened, the rush for a moment was so tremendous that most serious ap prehensions were entertained, but no lives were lost ; while the boxes had been let in such a way as to preclude all reasonable ground of complaint. In the pit and galleries the audience were so closely packed, that it would have been difficult, according to eye-witnesses, to introduce even the point of a sabre between any two. All the wealth, rank, and beauty of Scotland, filled the boxes, and the waving of tartan plaids and plumed bonnets produced hurricanes of acclamation long before the arrival of the king, who occupied a species of throne in the centre box, and behind him stood the Marquis of Montrose, the Earl of Fife, and other nobles. He wore the uniform of a marshal, and at his entrance nearly the entire audience joined the orchestra in the national anthem. On this night Mr. Calcraft (long a Dublin manager, and formerly an officer of cavalry) played Rob Roy, and Mrs. Henry Siddons was Diana Vernon; but the king was observed to applaud the faithful Dougal as much as any of the others. Up to 1851 Rub Roy had been acted about four hundred times in this house; but at Perth, in 1829, it was represented by Ryder?s company for five hundred nights ! One of the original cast of the play was ? Old Miss Nicol,? as she was named in latter years, who then took the part of the girl Mattie. To attempt to enumerate all the stars who came in quick succession to the boards of the old Royal (as the facilities for travel by land and sea increased) would be a vain task, but the names of a few may suffice. Between 1820 and 1830 there were Vandenhoff, for tragedy, as Sir Giles Overreach, and Sir William Wallace in the Battle of Falkirk, &c. ; Jones for Mercutio and Charles Surface ; the bulky Denham with his thick voice to play JamesVI. to Murray?s Jingling Geordie; Mason and Stanley, both excellent in comedy, though well-nigh forgotten now; and always, of course, Mrs. Henry Siddons, ?(beautiful and graceful, with a voice which seemed to penetrate the audience ; ? and there were Mrs. Renaud for tragedy, Mrs. Nicol as a leading old lady, Miss Paton, and Miss Noel with her Scottish melodies ; while the scenery amid which they moved came from the master-hand of David Roberts, ?and the orchestra included hautbois of Mr. T. Fraser, which had witched the soul and flooded the eyes of Burns.? Among other favourites was Miss M. Tree (sister of Ellen the ftiture Mrs. Charles Kean), who used to delight the playgoers with her Rosina in the Barber d SmiZZe, or the Maid of Milan, till she retired in 1825, on her mamage with Mr. Bradshaw, some time M.P. for Canterbury. Terry, Sinclair, and Russell, were among the stars in those days. The last took such characters as Sir Giles Overreach. On his re-appearance in 1823, after several years? absence, ?to our surprise,? says the Edinburgh Adverfiser, ?the audience was thin, but among them we noticed Sir Walter Scott? Thither came also Maria Foote (afterwards Countess of Harrington), who took with success such parts as Rosalind, Imogen, and Beatrice. The Edinburgh Theatrical Fund, for the relief of decayed actors, was instituted at this prosperous time, and at its first dinner in February, 1827, under the presidency of Lord Meadowbank, Sir Walter Scott, ever the player?s friend, avowed himself, as most readers know, the author of the ? Waverley Novels.? Though it had been shrewdly suspected by many before, ?(the rapturous feeling of the company, on hearing the momentous Secret let [email protected] from his own lips,? says a writer, ? no one
Volume 2 Page 350
  Shrink Shrink   Print Print